Harry Houdini became world-renowned for his stunts and feats of escapology even more so than his magical illusions.
|Born:||March 24, 1874 |
|Died:||October 31, 1927 |
Detroit, Michigan, USA
|Occupation:||magician, escapologist, stunt performer, actor, historian, pilot, rumoured spy, and paranormal investigator.|
Harry Houdini (March 24, 1874 – October 31, 1926) was a Hungarian/American magician, escapologist, stunt performer, and possibly a spy, as well as an investigator of spiritualists.
Houdini was born as Ehrich Weiss in Budapest, Hungary to a Jewish family; upon immigration to America the family name was changed to Weiss from the original name of Weisz because of immigration purposes. His father, Mayer(Mayo)Samuel Weisz (1829-1892) also known as Samuel Mayer Weisz (1829-1892) was a rabbi; and his mother was Cecilia Steiner (1841-1913). Ehrich had the following siblings: Armin M. Weiss (1863-?); Nathan J. Weiss (1869-?); Gottfried W. Weiss (1872-?); Theodore Weiss(Dash)(1876-1945); and Leopold D. Weiss (1879-?). From 1900 onwards Houdini claimed in interviews to have been born in Appleton, Wisconsin on April 6, 1874, but his Hungarian birth certificate was uncovered by researchers after his death. In 1878, his family moved to the United States, where his name was listed as Ehrich Weiss, but he was called "Ehrie" or "Harry" by friends.
He immigrated at the age of 4 on July 3, 1878 on the SS Fresia with his mother (listed as Cisy), sister Aurine, and brothers Nathan, and Willi  At first, they lived in Appleton, where his father served as rabbi of the Zion Reform Jewish Congregation. In 1880 the family was living on Appleton Street.  On June 6, 1882, Rabbi Weiss became an American citizen, then after losing his tenure, he moved to New York City with Ehrich in 1887. This was after Houdini had run away for a year. They lived in a boarding-house on East 79th Street. Rabbi Weiss later was joined by the rest of the family once he found more permanent housing. As a child Ehrich took several jobs, one of which was as a locksmith's apprentice. He made his public debut as a 9 year old trapeze artist, calling himself, "Ehrich, the prince of the air".
In 1891, Weiss became a professional magician, and began calling himself "Harry Houdini" because he was influenced by French magician Jean Eugène Robert-Houdin and his friend Jack Hayman told him that in French adding an "i" to Houdin would mean "like Houdin". The first part of his new name, Harry, was an homage to Harry Kellar, another of Weiss' largest influences. Initially, his magic career resulted in little success, though he met fellow performer Wilhelmina Beatrice (Bess) Rahner in 1893, and married her three weeks later. For the rest of his performing career, Bess would work as his stage assistant.
Houdini initially focused on traditional card acts. At one point he billed himself as the "King of Cards" and "King of Handcuffs." One of his most notable non-escape stage illusions was performed in London's hippodrome: he vanished a full-grown elephant (with its trainer) from a stage, beneath which was a swimming pool.
He soon began experimenting with escape acts, however. Harry Houdini's "big break" came in 1899, when he met the showman Martin Beck. Impressed by Houdini's handcuffs act, Beck advised him to concentrate on escape acts and booked him on the Orpheum vaudeville circuit. Within months, he was performing at the top vaudeville houses in the country. In 1900, Houdini traveled to Europe to perform. By the time he returned in 1904, he had become a sensation.
From 1904 and throughout the 1910s, Houdini performed with great success in the United States. He would free himself from handcuffs, chains, ropes and straitjackets, often while hanging from a rope or suspended in water, sometimes in plain sight of the audience. In 1913, he introduced perhaps his most famous act, the Chinese Water Torture Cell, in which he was suspended upside-down in a locked glass and steel cabinet full to overflowing with water. He held his breath for over 3 minutes.
He explained some of his tricks in books written throughout his career. In Handcuff Secrets (1909) he revealed how many locks and handcuffs could be opened with properly applied force, others with shoestrings. Other times, he carried concealed lockpicks or keys, being able to regurgitate small keys at will. When tied down in ropes or straitjackets, he gained wiggle room by enlarging his shoulders and chest, and by moving his arms slightly away from his body, and then dislocating his shoulders. His straitjacket escape was originally performed behind curtains, with him popping out free at the end. However, Houdini's brother who was also an escape artist billing himself as Theodore Hardeen, after being accused of having someone sneak in and let him out and being challenged to escape without the curtain, discovered that audiences were more impressed and entertained when the curtains were eliminated, so that they could watch him struggle to get out. They both performed straitjacket escapes dangling upside-down from the roof of a building for publicity on more than one occasion. It is said that Hardeen once handed out bills for his show while Houdini was doing his suspended straightjacket escape and Houdini became upset because people thought it was Hardeen up there escaping, not Houdini.
In 1919 Houdini became president of Martinka & Co., America's oldest magic company. The business is still in operation today. After his amazing career in magic, Houdini became obsessed with two things; Flight and Movies. In 1910, while on a tour of Australia, Houdini brought with him a primitive bi-plane with which he made the first controlled powered aeroplane flight in Australia, at Diggers Rest, Victoria . He also starred in several movies.
Difficult though it was, Houdini's entire act, including escapes, was also performed on a coordinated but separate tour schedule by his brother, Hardeen.
A new biography of Houdini "The Secret Life of Houdini: The Making of America's First Superhero" by magic historian William Kalush and author Larry "Ratso" Sloman  suggests that he worked for both Scotland Yard and the US Secret Service. It suggests that he used his escape act tours to cover intelligence gathering. This assertion was documented in a journal kept by Scotland Yard Inspector William Melville, who worked for British intelligence. The author's conclusions have been endorsed by former C.I.A. director John McLaughlin who wrote the preface for the book.
In the 1920s, after the death of his beloved great step mother, he turned his energies toward debunking self-proclaimed psychics and mediums, a pursuit that would inspire and be followed by later-day conjurers James Randi, P. C. Sorcar and Penn and Teller. Houdini's magical training allowed him to expose frauds who had successfully fooled many scientists and academics. He was a member of a Scientific American committee which offered a cash prize to any medium who could successfully demonstrate supernatural abilities. Thanks to the contributions and skepticism of Houdini and three others (there were five in the committee), the prize was never collected. As his fame as a "ghostbuster" grew, Houdini took to attending séances in disguise, accompanied by a reporter and police officer. Possibly the most famous medium whom he debunked was the Boston medium Mina Crandon, also known as "Margery". Houdini chronicled his debunking exploits in his book A Magician Among the Spirits.
These activities cost Houdini the friendship of Sir Arthur Conan Doyle, the creator of Sherlock Holmes. Doyle, a firm believer in spiritualism during his later years, refused to believe any of Houdini's exposés. Doyle actually came to believe that Houdini was a powerful spiritualist medium, had performed many of his stunts by means of paranormal abilities, and was using these abilities to block those of other mediums that he was 'debunking' (see Doyle's The Edge of The Unknown, published in 1931 after Houdini's death). This disagreement led to the two men becoming public antagonists.
The new book "The Secret Life of Houdini" has a fascinating account of Doyle's involvement with the camp of the medium "Margery" and suggests that Margery's husband may have been part of a plot to kill Houdini. The book does document Doyle's campaign to hijack Houdini's legacy when a Spiritualist minister protege of Doyle, Rev. Arthur Ford, seduced Houdini's widow and convinced her to conspire with him to bring Houdini back from the grave in a seance that would further the Spiritualist's agenda. Houdini's wife felt so guilty in defaming his legacy that she actually tried to commit suicide on the eve of the seance, according to "The Secret Life of Houdini."
Houdini's last performance was at the Garrick Theatre in Detroit, Michigan on October 24, 1926. The next day he was hospitalized at Detroit's Grace Hospital. Houdini died of peritonitis from a ruptured appendix at 1:26 p.m. on Halloween, October 31, 1926, at the age of 52.
The most widespread account is that Houdini's ruptured appendix was caused by multiple blows to his abdomen from a McGill University student, J. Gordon Whitehead, in Montreal on October 22. The eyewitnesses to this event were two McGill University students named Jacques Price and Sam Smilovitz (sometimes called Jack Price and Sam Smiley). Their accounts generally agreed. The following is according to Price's description of events. According to Price, Houdini was reclining on his couch after his performance, having an art student sketch him. When Whitehead came in and asked if it was true that Houdini could take any blow to the stomach, Houdini replied in the affirmative. In this instance, he was struck several times, before Houdini protested. Whitehead reportedly continued hitting Houdini several times afterwards, and Houdini acted as though he were in some pain. Price recounted that Houdini stated that if he had had time to prepare himself properly, he would have been in better position to take the blows. After taking statements from Price and Smilovitz, Houdini's insurance company concluded that the death was due to the dressing room incident and paid double indemnity.
Despite this, modern medical knowledge gives no reason to believe Houdini's acute appendicitis was caused by any physical trauma. McGill University's archive supported this idea: It appears that Whitehead's punch to Houdini's stomach, while not fatal, aggravated an existing but still undetected case of appendicitis. Although in serious pain, Houdini nonetheless continued to travel without seeking medical attention."
Houdini's funeral was held on November 4, 1926 in New York, with over two thousand mourners in attendance. He was interred in the Machpelah Cemetery Queens, New York, with the crest of the Society of American Magicians inscribed on his gravesite. The Society holds their "Broken Wand" ceremony at the gravesite on the anniversary of his death to this day.
In Houdini's will, his vast library was offered to the American Society for Psychical Research on the condition that research officer and editor of the ASPR Journal, J. Malcolm Bird, resign. Bird refused and the collection went instead to the Library of Congress.
Fearing spiritualists would exploit his legacy by pretending to contact him after his death, Houdini left his wife a secret code - ten words chosen at random from a letter written by Doyle - that he would use to contact her from the afterlife. His wife held yearly séances on Halloween for ten years after his death, but Houdini never appeared. In 1936, after a last unsuccessful seance on the roof of the Knickerbocker Hotel, she put out the candle that she had kept burning beside a photograph of Houdini since his death, later (1943) saying "ten years is long enough to wait for any man." The tradition of holding a séance for Houdini continues to this day, and is currently organized by Sidney H. Radner. 
Houdini published numerous books during his career (some of which were written by his good friend Walter Brown Gibson, the creator of The Shadow