Hilda Conkling (1910 – 1986) was an American poet. She was the daughter of Grace Hazard Conkling, a poet in her own right and Assistant Professor of English at Smith College, Northampton, Massachusetts. Hilda's father passed away when she was four years old; she had one sister, Elsa, two years her senior.
Hilda is notable for having composed most of her poetry as a child, between the ages of four and ten years old. She never wrote them down herself; instead, they came out in conversation with her mother, who would write down Hilda's words either in the moment, or from memory later. If the latter, she would read the lines back to Hilda, who would then correct any deviation from her original words. 
Most of Hilda's poetry is concerned with nature; sometimes simply descriptive, sometimes mixed with elements of fantasy. Other common themes are love for her mother, stories and daydreams, and pictures or books that pleased her. Often these themes intertwine, and she often makes use of metaphor in her descriptions of plants and animals.
When Hilda became a teenager, she either stopped composing or her poems were no longer written down. She has no known works written after this age. 
Three collections of Hilda's poetry were published during her life: Poems by a Little Girl (1920, preface by Amy Lowell), Shoes of the Wind (1922), and Silverhorn (1924). Her poems were also included in the anthologies Silver Pennies (1925) and Sing a Song of Popcorn (1988). Prior to her first book, she was published in a number of magazines, including Poetry: A Magazine of Verse, The Delineator, Good Housekeeping, The Lyric, St. Nicholas Magazine, and Contemporary Verse.
Three of Hilda Conkling's poems--Evening, Moonsong, and Water--were used as the text for a choral piece called