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Bjornstjerne Bjornson

Bjornstjerne Bjornson books and biography

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A Happy Boy


By Bjornstjerne Bjornson
Novels

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Absalom's Hair


By Bjornstjerne Bjornson
General

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Gesammelte Werke In Fünf Bänden


By Bjornstjerne Bjornson
German

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Mary, Erzahlung


By Bjornstjerne Bjornson
German

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Poems And Songs


By Bjornstjerne Bjornson
Poetry

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Three Comedies


By Bjornstjerne Bjornson
Theater , Play

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Three Dramas


By Bjornstjerne Bjornson
Theater , Play

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Bjrnstjerne Bjrnson

Bjørnstjerne Bjørnson
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Bjrnstjerne Bjrnson

Bjrnstjerne Martinus Bjrnson (December 8, 1832–April 26, 1910). Norwegian writer and a 1903 Nobel Prize in Literature laureate. Bjrnson is generally considered as one of "The Great Four" Norwegian writers; the others being Henrik Ibsen, Jonas Lie, and Alexander Kielland. Amongst Norwegians, Bjrnson is celebrated for his lyrics to the National Anthem: Ja, vi elsker dette landet.

Bjrnson was born on December 8, 1832 at the farmstead of Bjrgen in Kvikne, a secluded village in the sterdalen district, some sixty miles south of Trondheim. In 1837 Bjrnson's father, who was the pastor of Kvikne, was transferred to the parish of Nesset, outside Molde in Romsdal. It was in this scenic district that Bjrnson spent his childhood. After a few years studying in the neighbouring city Molde, Bjrnson was sent to Heltbergs Studentfabrikk in Christiania to prepare for University, at the age of 17. He had realised that he wanted to pursue his talent for poetry (he had written verses since age eleven). Bjrnson matriculated at the University of Oslo in 1852, soon embarking upon a career as a journalist, focusing on criticism of drama.

In 1857 he published Synnve Solbakken, the first of Bjrnson's peasant novels; in 1858 this was followed by Arne, in 1860 by En glad Gut (A Happy Boy), and in 1868 by Fiskerjenten (The Fisher Maiden). These are the most important specimens of his bonde-fortellinger or peasant tales — a section of his literary work which has made a profound impression in his own country, and has made him popular throughout the world. Two of the tales, Arne and Synnve Solbakken, offer perhaps finer examples of the pure peasant-story than are to be found elsewhere in literature.

Bjrnson was anxious "to create a new saga in the light of the peasant," as he put it, and he thought this should be done, not merely in prose fiction, but in national dramas or folke-stykker. The earliest of these was a one-act piece the scene of which is laid in the 12th century, Mellem Slagene (Between the Battles), written in 1855, but not produced until 1857. He was especially influenced at this time by the study of Baggesen and Oehlenschlger, during a visit to Copenhagen 1856—1857. Mellem Slagene was followed by Halte-Hulda (Lame Hulda) in 1858, and Kong Sverre (King Sverre) in 1861. All these efforts, however, were far excelled by the splendid trilogy of Sigurd Slembe (Sigurd the Bad), which Bjrnson published in 1862. This raised him to the front rank among the younger poets of Europe.

At the close of 1857 Bjrnson had been appointed director of the theatre at Bergen, a post which he held, with much journalistic work, for two years, when he returned to the capital. From 1860 to 1863 he travelled widely throughout Europe. Early in 1865 he undertook the management of the Christiania theatre, and brought out his popular comedy of De Nygifte (The Newly Married) and his romantic tragedy of Mary Stuart in Scotland. Although Bjrnson has introduced into his novels and plays songs of extraordinary beauty, he was never a very copious writer of verse; in 1870 he published his Poems and Songs and the epic cycle called Arnljot Gelline; the latter volume contains the magnificent ode called Bergliot, Bjrnson's finest contribution to lyrical poetry.

Between 1864 and 1874, in the very prime of life, Bjrnson displayed a slackening of the intellectual forces very remarkable in a man of his energy; he was indeed during these years mainly occupied with politics, and with his business as a theatrical manager. This was the period of Bjrnson's most fiery propaganda as a radical agitator. In 1871 he began to supplement his journalistic work in this direction by delivering lectures over the length and breadth of the northern countries. He possessed to a surprising degree the arts of the orator, combined "with a magnificent physical prestige".

From 1874 to 1876 Bjrnson was absent from Norway, and in the peace of voluntary exile he recovered his imaginative powers. His new departure as a dramatic author began with En fallit (A Bankruptcy) and Redaktren (The Editor) in 1874, social dramas of an extremely modern and realistic cast.

The poet now settled on his estate of Aulestad in Gausdal. In 1877 he published another novel, Magnhild, an imperfect production, in which his ideas on social questions were seen to be in a state of fermentation, and gave expression to his republican sentiments in the polemical play called Kongen (The King), to a later edition of which he prefixed an essay on "Intellectual Freedom", in further explanation of his position. Kaptejn Mansana (Captain Mansana), an episode of the war of Italian independence, belongs to 1878.

Extremely anxious to obtain a full success on the stage, Bjrnson concentrated his powers on a drama of social life, Leonarda (1879), which raised a violent controversy. A satirical play, Det nye System (The New System), was produced a few weeks later. Although these plays of Bjrnson's second period were greatly discussed, none of them (except A Bankruptcy) pleased on the boards.

When once more he produced a social drama, En Handske (A Gauntlet), in 1883, he was unable to persuade any manager to stage it, except in a modified form, though this play gives the full measure of his power as a dramatist. In the autumn of the same year, Bjrnson published a mystical or symbolic drama Over vne (Beyond Powers), dealing with the abnormal features of religious excitement with extraordinary force; this was not acted until 1899, when it achieved a great success.

Meanwhile, Bjrnson's political opinions had brought upon him a charge of high treason, and he took refuge for a time in Germany, returning to Norway in 1882. Convinced that the theatre was practically closed to him, he turned back to the novel, and published in 1884, Det flager i Byen og paa Havnen (Flags are Flying in Town and Port), embodying his theories on heredity and education. In 1889 he printed another long and still more remarkable novel, Paa Guds veje (On God's Path), which is chiefly concerned with the same problems. The same year saw the publication of a comedy, Geografi og Krlighed (Geography and Love), which met with success.

A number of short stories, of a more or less didactic character, dealing with startling points of emotional experience, were collected and published 1894. Later plays were a political tragedy called Paul Lange og Tora Parsberg (1898), a second part of Over vne (Beyond Powers II) (1895), Laboremus (1901), P Storhove (At Storhove) (1902), and Daglannet (Dag's Farm) (1904). In 1899, at the opening of the National Theatre, Bjrnson received an ovation, and his saga-drama of Sigurd the Crusader was performed at the opening of Nationaltheatret in Oslo.

A subject which interested him greatly, and on which he occupied his indefatigable pen, was the question of the bondemaal, the adopting of a national language for Norway distinct from the dansk-norsk (Dano-Norwegian), in which most Norwegian literature has hitherto been written. Bjrnson's strong and sometimes rather narrow patriotism did not blind him to what he considered the fatal folly of such a proposal, and his lectures and pamphlets against the mlstrv in its extreme form were very effective. Bjrnson was, from the beginning of the Dreyfus Affair a staunch supporter of Alfred Dreyfus, and, according to a contemporary, wrote "article after article in the papers and proclaimed in every manner his belief in his innocence".

Bjrnson was one of the original members of the Nobel Committee, and was re-elected in 1900. In 1903 he was awarded the Nobel Prize in Literature.

Bjrnson had done as much as any other man to rouse Norwegian national feeling, but in 1903, on the verge of the rupture between Norway and Sweden, he preached conciliation and moderation to the Norwegians.

In 1905, as Norway was to decide its form of government totally independent, the previously staunch republican were convinced to promote monarchy, mainly because this meant stronger ties with Britain, Norway's most important trade partner and ally, but also because it would match the governments of Denmark and Sweden.

He died on the April 26, 1910 in Paris, where for some years he had always spent his winters, and was buried at home with every mark of honour and regret, the Norwegian warship Norge was sent to convey his remains back to his own land.



This article might use material from a Wikipedia article, which is released under the Creative Commons Attribution-Share-Alike License 3.0.



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