Author

Stéphane Mallarmé

Stéphane Mallarmé books and biography

Sponsored Links


Poésies


By Stéphane Mallarmé
Litterature Classiques

Download Details Report

Share this Book!
										  

Stphane Mallarm

Portrait of Stéphane Mallarmé by Édouard Manet.
Enlarge
Portrait of Stphane Mallarm by douard Manet.

Stphane Mallarm (French IPA: [malaʀˈme]) (March 18, 1842 – September 9, 1898), whose real name was tienne Mallarm, was a French poet and critic.

He was born in Paris. He worked as an English teacher, and spent much of his life in relative poverty; but he was a major French symbolist poet and rightly famed for his salons, occasional gatherings of intellectuals at his house for discussions of poetry, art, philosophy. The group became known as les Mardistes, because they met on Tuesdays (in French, mardi), and through it Mallarm exerted considerable influence on the work of a generation of writers (see below).

His earlier work owes a great deal to the style established by Charles Baudelaire. His fin-de-sicle style, on the other hand, anticipates many of the fusions between poetry and the other arts that were to blossom in the Dadaist, Surrealist, and Futurist schools, where the tension between the words themselves and the way they were displayed on the page was explored. But whereas most of this latter work was concerned principally with form, Mallarm's work was more generally concerned with the interplay of style and content. This is particularly evident in the highly innovative Un coup de ds jamais n'abolira le hasard ('A roll of the dice will never abolish chance') of 1897, his last major poem.

French literature
By category
French literary history

Medieval
16th century - 17th century
18th century -19th century
20th century - Contemporary

French Writers

Chronological list
Writers by category
Novelists - Playwrights
Poets - Essayists
Short story writers

France Portal
Literature Portal
This box:viewtalkedit

Some consider Mallarm one of the French poets most difficult to translate into English. This is often said to be due to the inherently vague nature of much of his work, but this explanation is really a simplification. On a closer reading of his work in the original French, it is clear that the importance of sound relationships between the words in the poetry equals, or even surpasses, the importance of the standard meanings of the words themselves. This generates new meanings in the spoken text which are not evident on reading the work on the page. It is this aspect of the work that is impossible to render in translation (especially when attempting a more literal fidelity to the words as well), since it arises from ambiguities inextricably bound in the phonology of the spoken French language. It can also be suggested that it is this 'pure sound' aspect of his poetry that has led to its inspiring musical compositions (see below), and to its direct comparison with music.

A good example of this play of sound appears in Roger Pearson's book 'Unfolding Mallarm', in his analysis of the Sonnet en '-yx'. The poem opens with the phrase 'ses purs ongles' ('her pure nails'), whose first syllables when spoken aloud sound very similar to the words 'c'est pur son' ('it's pure sound'). This use of homophony, along with the relationships and layers of meanings it results in, is simply impossible to capture accurately through translation.

For many years, the Tuesday night sessions in his apartment on the rue de Rome were considered the heart of Paris intellectual life, with W.B. Yeats, Rainer Maria Rilke, Paul Valry, Stefan George, Paul Verlaine, and many more in attendance, as Mallarm held court as judge, jester, and king.

He died in Valvins in 1898.

Influence

Mallarm's poetry has been the inspiration for several musical pieces, notably Claude Debussy's Prlude l'aprs-midi d'un faune (1894), a free interpretation of Mallarm's poem L'aprs-midi d'un faune (1876), which creates powerful impressions by the use of striking but isolated phrases. Maurice Ravel set Mallarm's poetry to music in Trois pomes de Stphane Mallarm (1913). Other composers to use his poetry in song include Darius Milhaud (Chansons bas de Stphane Mallarm, 1917) and Pierre Boulez (Pli selon pli, 1957-62).

The visual artist Marcel Broodthaers was strongly influenced by Mallarm, as evidenced by his Un coup de Ds, based on the typographical layout of Mallarm's, but with the words blacked over by bars.

Stéphane Mallarmé as a faun, cover of the literary magazine Les hommes d'aujourd'hui, 1887.
Enlarge
Stphane Mallarm as a faun, cover of the literary magazine Les hommes d'aujourd'hui, 1887.

Works

Wikisource has original text related to this article:
Stphane Mallarm
Wikiquote has a collection of quotations related to:
Stphane Mallarm
  • L'aprs-midi d'un faune, 1876
  • Les Mots anglais, 1878
  • Les Dieux antiques, 1879
  • Divagations, 1897
  • Un coup de ds jamais n'abolira le hasard, 1897
  • Posies, 1899 (posthumous)
  • Mallarm: The Poems (tr. Keith Bosley, 1977)


This article might use material from a Wikipedia article, which is released under the Creative Commons Attribution-Share-Alike License 3.0.



Convert any Books to Kobo

* Notice to all users: You can export our search engine to your blog, website, facebook or my space.

message of the week Message of The Week

Bookyards Facebook, Tumblr, Blog, and Twitter sites are now active. For updates, free ebooks, and for commentary on current news and events on all things books, please go to the following:

Bookyards at Facebook

Bookyards at Twitter

Bookyards at Pinterest

Bookyards at Tumblr

Bookyards blog


message of the daySponsored Links