William Ernest Henley
William Ernest Henley (August 23, 1849 – July 11, 1903) was a British poet, critic and editor.
Henley was born at Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article, Pall Mall Magazine (Nov. 1900), on T. E. Brown, the poet who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius: "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement". Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital.
The lines of the old Saturday Review, but inspired in every paragraph by the vigorous and combative personality of the editor. It was transferred to London as the National Observer, and remained under Henley's editorship until 1893. Though, as Henley confessed, the paper had almost as many writers as readers, and its fame was mainly confined to the literary class, it was a lively and influential feature of the literary life of its time. Henley had the editor's great gift of discerning promise, and the "Men of the Scots Observer," as Henley affectionately and characteristically called his band of contributors, in most instances justified his insight. The paper found utterance for the growing imperialism of its day, and among other services to literature gave to the world Rudyard Kipling's Barrack-Room Ballads.
Arguably his best-remembered work is the poem Invictus, written in 1875. It is said that this was written as a demonstration of his resilience following the amputation of his foot due to tubercular infection.
In 1890, Henley published Views and Reviews, a volume of notable criticisms, which he described as "less a book than a mosaic of scraps and shreds recovered from the shot rubbish of some fourteen years of journalism". The criticisms, covering a wide range of authors (all English or French save Heinrich Heine and Leo Tolstoy) were remarkable for their insight and gusto. In 1892, he published a second volume of poetry, named after the first poem, "The Song of the Sword" but re-christened "London Voluntaries" after another section in the second edition (1893). Stevenson wrote that he had not received the same thrill of poetry so intimate and so deep since George Meredith's "Joy of Earth" and "Love in the Valley". "I did not guess you were so great a magician. These are new tunes; this is an undertone of the true Apollo. These are not verse; they are poetry". In 1892, Henley published also three plays written with Stevenson — Beau Austin, Deacon Brodie and Admiral Guinea. In 1895, Henley's poem, "Macaire", was published in a volume with the other plays. Deacon Brodie was produced in Edinburgh in 1884 and later in London. Herbert Beerbohm Tree produced Beau Austin at the Haymarket on November 3, 1890.
Henley's poem, "Pro Rege Nostro", became popular during the First World War as a piece of patriotic verse. It contains the following refrain:
- What have I done for you, England, my England?
- What is there I would not do, England my own?
The poem and it sentiments have since been parodied by many people often unhappy with the jingoism they feel it expresses or the propagandistic use it is put to. "England, My England", a short story by D. H. Lawrence and also England, Their England the novel by A. G. Macdonell both use the phrase.
This article incorporates text from the Encyclopędia Britannica Eleventh Edition, a publication now in the public domain.
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